THE FIREWORKS ARE NOT THE KISS

THE FIREWORKS ARE NOT THE KISS

The fireworks are the backdrop for the kiss. Don’t get distracted by their explosions.

Love is central. Connection is the transfer of life.

Yet the drama that surrounds connection can so easily draw our attention away from life's eternal theme.

There is a gaze, and there is a glance.

The gaze is the bullseye—the target, the central theme: infinite love is eternally true.

And in the gaze is the remembrance of our starting point.

Our origin.

That longing you feel in the 3D-you is just a reminder to your forgetful self that there is more to recall.

And within that more is the increase of memory.

The memory of you.

The eternal you.

The always-was you. The always-is you.

And here, in this remembering, the questions that have haunted you begin to find their answers.

For the defining of your ‘who’ brings clarity to your ‘why’—and your ‘why’ gives strategy to your ‘how’.

The glance, however, belongs to the experience.

The fireworks. The memories. The explosive dramas and ever-changing scenes unfolding around the connection of remembering eternal love.

The staging. The backdrop.

All part of the experience in the render, but not the central theme.

When we keep the kiss central—our gaze on what's eternally true.

And the explosive dramas as the backdrop—our glance on what's continuously changing with every scene.

We remain in truth while experiencing the whole drama of life.

The fireworks are not meant to be missed. They frame the moment, illuminating the backdrop for love to come through.

But when the glance becomes the gaze—when the charged extremes of life's polarities capture our attention—the backdrop becomes our focus. And we get so captivated by the explosions that we lose sight of the connection of the kiss.

And in losing sight of the kiss, eternal love is forgotten- the very nature of who we are.

Let the fireworks set the scene.

Let the kiss take center stage.

Fireworks have a grand finale.

While eternal love enters the stage.